{"id":14271,"date":"2021-12-01T11:05:10","date_gmt":"2021-12-01T16:05:10","guid":{"rendered":"https:\/\/jrfortin.com\/jrf\/?p=14271"},"modified":"2025-11-10T08:53:20","modified_gmt":"2025-11-10T13:53:20","slug":"dim-mak-sappo-avec-ki","status":"publish","type":"post","link":"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/","title":{"rendered":"KI-KYUSHO-DO – LA VOIE DES POINTS VITAUX AVEC KI"},"content":{"rendered":"

Dim-Mak – Art des points de pression<\/strong> : Dim-Mak est un mot chinois signifiant \u00ab faire pression \u00bb. Cet art martial d\u00e9signe des proc\u00e9d\u00e9s de pression et de frappes de points vitaux du corps humain. Son \u00e9quivalent en japonais se nomme \u00ab KYUSHO \u00bb ou \u00ab Sappo \u00bb. L\u2019usage de ces techniques vise \u00e0 perturber un attaquant afin de s\u2019en soustraire d\u00e9finitivement. \u00c0 l\u2019oppos\u00e9, le terme \u00ab Kappo \u00bb d\u00e9signe les techniques de r\u00e9animation. Les deux pratiques sont souvent \u00e9tudi\u00e9es ensemble.<\/p>\n

PRINCIPES D\u2019APPLICATION DE DIM-MAK AVEC KI<\/strong><\/p>\n

    \n
  1. \n

    Coordonner le corps et l\u2019esprit\u2026 ce qui permet d\u2019entrer en mode \u00ab Amour infini \u00bb, et de faire rayonner une lumi\u00e8re blanche dor\u00e9e qui englobe la r\u00e9alit\u00e9 qui vous est pr\u00e9sent\u00e9e ;<\/p>\n<\/li>\n

  2. \n

    Programmer votre respiration consciente infiniment. \u00c0 l\u2019inspiration, dirigez le souffle vital jusqu\u2019au Centre, puis faites-le remonter par la colonne vert\u00e9brale jusqu\u2019au cervelet en cycle continu\u2026 ceci afin de rendre votre corps insaisissable ;<\/p>\n<\/li>\n

  3. \n

    Adopter une posture permettant de lier les articulations des membres inf\u00e9rieurs avec les membres sup\u00e9rieurs, ceci afin de demeurer structur\u00e9 avec grande force ;<\/p>\n<\/li>\n

  4. \n

    Enrouler psychiquement la colonne vert\u00e9brale du partenaire afin de percevoir son intention que vous acceptez sans porter de jugement\u2026 ceci afin de diriger l\u2019intention du partenaire vers le Ciel ou vers la Terre afin de prendre l\u2019initiative ;<\/p>\n<\/li>\n

  5. \n

    Ne laissez se produire aucune collision ni physiquement ni mentalement\u2026 ce qui permet d\u2019agir avec confiance et harmonieusement sans dualit\u00e9 ;<\/p>\n<\/li>\n

  6. \n

    \u00c0 partir du Centre, placer avec l\u00e9g\u00e8ret\u00e9 l\u2019at\u00e9mi dirig\u00e9 par un bras inflexible devant la trajectoire du point de pression\u2026 afin de laissez le partenaire rencontrer la mat\u00e9rialisation de sa propre intention ;<\/p>\n<\/li>\n

  7. \n

    Laissez le chemin de vos connaissances agir avec d\u00e9termination en diffusant le Ki Universel\u2026 afin de prendre conscience que vous ne faites qu\u2019un avec l\u2019Univers et que c\u2019est vous qui cr\u00e9ez votre r\u00e9alit\u00e9.<\/em><\/p>\n<\/li>\n<\/ol>\n

    \n

    Principaux points de pressions et vitaux<\/strong><\/p>\n

    \"Charte<\/p>\n

      \n
    1. Le sommet du cr\u00e2ne<\/li>\n
    2. Les tempes<\/li>\n
    3. La base du nez entre les deux yeux<\/li>\n
    4. Le nez<\/li>\n
    5. Les yeux<\/li>\n
    6. Les oreilles<\/li>\n
    7. Le sillon entre le nez et la l\u00e8vre sup\u00e9rieure<\/li>\n
    8. Le menton<\/li>\n
    9. La m\u00e2choire<\/li>\n
    10. Le cou<\/li>\n
    11. Le larynx<\/li>\n
    12. Les clavicules<\/li>\n
    13. Le dessus du sternum<\/li>\n
    14. Le bas du sternum<\/li>\n
    15. Le c\u0153ur<\/li>\n
    16. Les aisselles<\/li>\n
    17. Le plexus solaire<\/li>\n
    18. Au-dessus du nombril<\/li>\n
    19. Le bas-ventre<\/li>\n
    20. Les c\u00f4tes flottantes<\/li>\n
    21. L\u2019int\u00e9rieur des biceps<\/li>\n
    22. L\u2019avant-bras<\/li>\n
    23. La zone inguinale<\/li>\n
    24. L\u2019int\u00e9rieur des cuisses<\/li>\n
    25. L\u2019ext\u00e9rieur des cuisses<\/li>\n
    26. Les genoux<\/li>\n
    27. Le tibia<\/li>\n
    28. Le dessus du pied<\/li>\n
    29. Les chevilles<\/li>\n
    30. La nuque<\/li>\n
    31. La colonne vert\u00e9brale<\/li>\n
    32. Les reins<\/li>\n
    33. Le coccyx<\/li>\n
    34. Les coudes<\/li>\n
    35. Le dessus des mains<\/li>\n
    36. Les doigts<\/li>\n<\/ol>\n
      \n

      AIDE-M\u00c9MOIRE DE QUELQUES TECHNIQUES DE BASE<\/strong><\/p>\n

        \n
      1. Coups port\u00e9s \u00e0 la gorge\n
          \n
        1. Avec le coude<\/li>\n
        2. T\u00eate de dragon<\/li>\n
        3. \u0152il du ph\u00e9nix<\/li>\n
        4. Shuto<\/em> (revers de la main)<\/li>\n
        5. Haito<\/em> (c\u00f4t\u00e9 de la main)<\/li>\n
        6. Main ouverte \u00e0 la gorge<\/li>\n
        7. Avec encha\u00eenement pour bris de nuque<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
            \n
          1. Coups \u00e0 l\u2019abdomen\n
              \n
            1. T\u00eate de dragon au plexus<\/li>\n
            2. \u0152il du ph\u00e9nix au plexus<\/li>\n
            3. Doigts sous les c\u00f4tes flottantes (Nukite \u2013 Poison touch<\/em>)<\/li>\n
            4. Frappe \u00e0 l\u2019int\u00e9rieur du bras<\/li>\n
            5. Frappe \u00e0 l\u2019aisselle<\/li>\n
            6. Pression \u00e0 l\u2019aorte avec la paume (Bruce Lee)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                \n
              1. Coups au visage\n
                  \n
                1. Aux yeux (avec majeur et ph\u00e9nix)<\/li>\n
                2. Sur le nez avec paume vers le haut<\/li>\n
                3. Sur le nez avec paume en descendant<\/li>\n
                4. Main ouverte en saisissant le nez et les yeux (bear claw<\/em>)<\/li>\n
                5. Paume au menton (Taisho<\/em>)<\/li>\n
                6. Coups aux tempes (doigts, Uriken, Mawashi Tsuki<\/em>)<\/li>\n
                7. At\u00e9mi en V sous la m\u00e2choire<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                    \n
                  1. Coups de genou\n
                      \n
                    1. Au ventre<\/li>\n
                    2. Aux parties<\/li>\n
                    3. Au visage<\/li>\n
                    4. Pour encha\u00eenements<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                        \n
                      1. Coups de pied\n
                          \n
                        1. Du sol au genou de l\u2019assaillant<\/li>\n
                        2. Debout au genou de l\u2019assaillant<\/li>\n
                        3. Frappe sur le c\u00f4t\u00e9 de la jambe<\/li>\n
                        4. Avec la paume du pied pour amener l\u2019assaillant sur les genoux<\/li>\n
                        5. Coup de pied saut\u00e9 en avan\u00e7ant (Mea-Tobi-Geri<\/em>)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                            \n
                          1. Coups au cou et \u00e0 la nuque\n
                              \n
                            1. Shuto<\/em> (revers de la main)<\/li>\n
                            2. Haito<\/em> (c\u00f4t\u00e9 de la main)<\/li>\n
                            3. Par derri\u00e8re sur la nuque (2 points de pressions)<\/li>\n
                            4. Bris de cou par en-dessous et par-dessus<\/li>\n
                            5. Prise du sommeil<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n

                              \"Aito\"<\/p>\n

                                \n
                              1. Au sol\n
                                  \n
                                1. Lorsque l\u2019assaillant est par-dessus<\/li>\n
                                2. Faire tomber l\u2019assaillant (lorsqu\u2019il est devant)<\/li>\n
                                3. Faire tomber l\u2019assaillant (lorsqu\u2019il est derri\u00e8re)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                                    \n
                                  1. D\u00e9fense d\u2019attaque \u00e0 bras-le-corps\n
                                      \n
                                    1. \u00c9crasement du pied et projection<\/li>\n
                                    2. Casser un doigt<\/li>\n
                                    3. Fer de lance dans l\u2019abdomen<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
                                        \n
                                      1. Vari\u00e9es\n
                                          \n
                                        1. Prise de t\u00eate<\/li>\n
                                        2. Le double Nelson<\/li>\n
                                        3. Frapper les oreilles<\/li>\n
                                        4. At\u00e9mis au dos<\/li>\n
                                        5. Attaques aux poignets (d\u00e9monstration d\u2019encha\u00eenements)<\/li>\n
                                        6. Avec Kubotan (porte-cl\u00e9)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n

                                          \"Comment<\/p>\n

                                          \n

                                          Fichier .pdf \u00e0 t\u00e9l\u00e9charger<\/a><\/p>\n

                                          DIM-MAK sur Wikipedia<\/a><\/p>\n

                                           <\/p>\n","protected":false},"excerpt":{"rendered":"

                                          Dim-Mak – Art des points de pression : Dim-M\u2026<\/p>\n

                                          continuez la lecture<\/span><\/i><\/a> <\/p>\n","protected":false},"author":1,"featured_media":15729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[114],"tags":[],"class_list":["post-14271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ki-aikido-et-arts-martiaux"],"yoast_head":"\nKI-KYUSHO-DO - LA VOIE DES POINTS VITAUX AVEC KI - Dojo du Nouveau Monde<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KI-KYUSHO-DO - LA VOIE DES POINTS VITAUX AVEC KI - Dojo du Nouveau Monde\" \/>\n<meta property=\"og:description\" content=\"Dim-Mak – Art des points de pression : Dim-M\u2026 continuez la lecture\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\" \/>\n<meta property=\"og:site_name\" content=\"Dojo du Nouveau Monde\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-01T16:05:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-10T13:53:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jrfortin.com\/jrf\/wp-content\/uploads\/2021\/05\/dimmak8.png\" \/>\n\t<meta property=\"og:image:width\" content=\"3613\" \/>\n\t<meta property=\"og:image:height\" content=\"3699\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Shihan Jean-Rock Fortin, M.A.\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@fortin_rock\" \/>\n<meta name=\"twitter:site\" content=\"@fortin_rock\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Shihan Jean-Rock Fortin, M.A.\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\"},\"author\":{\"name\":\"Shihan Jean-Rock Fortin, M.A.\",\"@id\":\"https:\/\/jrfortin.com\/jrf\/#\/schema\/person\/420b013ae3febafe8d99a66adee55de9\"},\"headline\":\"KI-KYUSHO-DO – LA VOIE DES POINTS VITAUX AVEC KI\",\"datePublished\":\"2021-12-01T16:05:10+00:00\",\"dateModified\":\"2025-11-10T13:53:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\"},\"wordCount\":762,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/jrfortin.com\/jrf\/#\/schema\/person\/420b013ae3febafe8d99a66adee55de9\"},\"image\":{\"@id\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/jrfortin.com\/jrf\/wp-content\/uploads\/2021\/05\/dimmak8.png?fit=3613%2C3699&ssl=1\",\"articleSection\":[\"Arts martiaux et Ki\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\",\"url\":\"https:\/\/jrfortin.com\/jrf\/blog\/dim-mak-sappo-avec-ki\/\",\"name\":\"KI-KYUSHO-DO - 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